Chef Carl Casper (Jon Favreau) suddenly quits his job at a prominent Los Angeles restaurant after refusing to compromise his creative integrity for its controlling owner (Dustin Hoffman). He is left to figure out what’s next. Finding himself in Miami, he teams up with his ex-wife, his friend and his son to launch a food truck.
Christopher Nolan, Wally Pfister, Johnny Depp, Morgan Freeman… The big names attached to this film as well as the potentially great story all promised a pretty awesome movie. The movie, however, did not live up to the promise, at all. Transcendence tells the story of the great, famous computer scientist Will Caster (Johnny Depp) and his wife, Evelyn Caster (Rebecca Hall).
This post first appeared on CinemaAxis.com – David & Me will be screened at the Hot Docs Canadian International Documentary Festival that takes place between April 24 and May 4, 2014. David & Me is a documentary created Ray Klonsky and Marc Lamy – the former also being the “me” in the title.
Hey everyone! I’m pretty tired after this long, irregular week and could use a red wine to cool down, and where better than in a beautiful cinema? Let’s go to the UK this week.
When I saw the first preview of this film, it appealed to me as a sci-fi thriller fan. I had every intention of going to the theaters to see it, but alas, I waited too long. Meanwhile, Gravity won several Academy Awards including Best Director, Best Cinematography, Best Visual Effects, and Best Original Score.
A well-executed horror film is quite possibly the most pure and affecting of all cinematic experiences. A horror film can be the ultimate ‘pop-corn’ movie – a work that draws you into its world, gnaws on your emotions and intellect, and finally spits you back into your seat, thrilled and grateful and dripping with adrenaline. It makes sense that horror films illicit a strong response – after all, we are naturally hard-wired to fear.
Anchorman 2: The Legend Continues, a misnomer because the comedy was sloppy. It was nine long minutes before my first laugh.
Fading Gigolo: directed by, written and starring John Turturro. This movie tells the story of a florist, Fioravante, who is convinced by his elderly friend Murray (Woody Allen) to get into the gigolo business.
Last night I attended the Australian premiere of The Amazing Spider-Man 2, and because it won’t be released in the US for another two weeks, I had to hand in my phone. My phone’s my only way of telling the time, and during the movie, I constantly felt like grabbing for my phone to check how late it was. The movie felt like it was taking forever.
Last week, I got to interview Lorna Suzuki for FilmInquiry. Lorna is the author of the Imago Chronicles, a fantasy series, and recently got her books optioned for a film adaptation by a pretty grand film production team. This is especially exciting because Lorna is an indie author – the Imago Chronicles are self-published.
This week I mentioned the Luna Leederville Cinema, where I went to see Only Lovers Left Alive. It’s a classic, art deco cinema here in Perth, and this week, they’re doing something rather awesome. They “turned” it into The Grand Budapest Hotel for the movie premiere.
The Quiet Ones documents a university professor and his team of students in 1974 as they attempt an “experiment” on a young psychiatric patient, which uncovers dark and dangerous forces. Claiming to be inspired by true events, the movie revolves around the hypothesis that the supernatural is a “manifestation of what’s already in the mind” and by using the scientific method to provide evidence, the patient can be cured. Starring in this film are Jared Harris and Sam Clafin, both of whom are notable British actors.
Last weekend I attended a screening of Jim Jarmusch’s latest production, Only Lovers Left Alive, at the Luna Leederville Cinema here in Perth (which, by the way, is a beautiful original 20’s art deco cinema). While I’ve only seen two of Jim Jarmusch’s movies (Coffee and Cigarettes and Dead Man), Only Lovers Left Alive has Jarmusch’s distinctly recognizable style: it’s dark, pretty, it’s gritty, and very witty (how’s that for rhyming?