The Last Word is an easy, funny watch, with great performances from MacLaine and Seyfried, but on the whole, isn’t very substantial.
Baby Driver tells the story of a getaway driver named Baby who falls in love with a waitress and hopes to escape the criminal underworld.
Jacob Burns Film Center’s Creative Culture Program: An Experiment In Filmmaking & Interconnectedness
Creative Culture is the Jacob Burns Film Center’s (NY) educational program. We watched the fellows’ films and interviewed the program director.
Don’t Kill It is a throwback to 1980s horror, in addition to updating some of the rather outdated tropes found in those types of films.
Instantly captivating and undeniably intriguing, Get Out may be the “diamond in the rough” film of the year.
In the 4th episode of the Film Inquiry Podcast, Jay & Mike talk, or rather lament, the state of the superhero genre, discussing Legion and Logan.
The DC franchise is flailing under poorly received films and widely publicized production troubles, leaving the relatively smooth sailing of Wonder Woman as a beacon of hope.
Lou Simon is an independent director who mostly makes horror films; we had a chance to sit down with her to discuss her filmmaking process.
The Freedom to Marry is a compelling, expertly-made documentary about the landmark case that finally provided everyone the right to marriage.
Kong: Skull Island is fleeting entertainment, but given its massive budget and the audience’s predisposition to Kong, that’s not a terribly impressive feat.
Opening in theaters this week are Beauty & The Beast, The Belko Experiment, Burn Your Maps & more! We compiled the trailers and info.
Westerns are the one genre I’ve never really gotten along with. I’ll watch a good one, and I have watched a number of classics, but it’s a genre that’s never particularly resonated with me. My father is a big fan of them, as are some good friends of mine, so this summer I made the decision to just try hard to find something I liked (other than Rio Bravo).
Activist and director Maria Giese reports on all she knows so far about the ongoing EEOC investigation into systemic discrimination against women in Hollywood.
Based on the real-life case, Johnny Frank Garrett’s Last Word is unfortunately a waste of its material, with many overused horror tropes.
Charlize Theron isn’t abandoning the action genre after the success of Mad Max: Fury Road, taking on a violent, self-sufficient woman with all her appendages intact in Atomic Blonde.
