Pickpocket (1959) is an intricately staged, intimate character study from Robert Bresson – solidifying itself as one of his greatest works.
Alien: Covenant takes a valiant attempt at re-creating the magic from the original, but ultimately falters from screenplay to screen.
Annie Waits is a well-made short comedy that explores strong themes of young identity and love.
With Take Me, actor Pat Healy brings his talent behind the camera, and in the process creates a delightful twist on the kidnapping narrative.
Lately, studios have made a lot of fuss about the supposedly “openly gay” characters in their films. This article is on why queer-coding is harmful.
Jeannette Walls’s memoir on her unconventional childhood serves as the basis for The Glass Castle, a multifaceted tale of her lively & troubled family.
Martin Scorsese’s career so far spans five decades – which films of his should you start exploring first? This is an in-depth guide to his amazing work!
Despite some reservations, the short films featured in Chicagoland Shorts Vol. 3 are creative, thought-provoking and accomplished.
In the next of our Take Two series, we tackle Cameron Crowe’s Vanilla Sky, which may not be quite as remarkable as initially remembered.
Joan Crawford & Bette Davis’ feud is one of classic Hollywood legend; we look at What Ever Happened To Baby Jane and how they became rivals.
Everything the Light Touches is an introspective look at a Welsh Elvis impersonator, and also manages to be something even more profound.
The Wall has a kick-ass ending worth shouting about- it’s just a shame the journey there is significantly less interesting.
Wakefield is an introspective and interesting examination into a man who willingly decides to isolate himself from his family and the world.