Lady Bloodfight is full of frenetic, full-blooded fight scenes between a diverse array of badass women that will not disappoint.
Stephanie Archer reports on her time during Tribeca Film Festival 2017, red carpet events, interviews, reviews and more!
With poor direction, effects and performances across the board, The Black Room is unbearably difficult to sit and watch.
We spoke with London-based director James Hughes about his short film THE NOMOPHOBE and the implications of smartphone addiction.
The House stars Amy Poehler and Will Ferrell as normal parents, who turn their house into a casino to fund their daughter’s tuition.
In this Beginner’s Guide we discuss some of Christopher Nolan’s best work to date, his influences and artful filmmaking skills.
Jake Gyllenhaal is a most versatile actor, famous for portraying dark characters with incredible finesse. This is a profile of his work and career so far.
For Dinner With Dames #8 Cinefemme gathered a group of female filmmakers to dine with Paul Feig, writer/director of Ghostbusters and Spy.
Avoiding cliches and mostly celebrating in richly defined performances, Jawbone is among the more engaging boxing movies in recent memory.
Not all the jokes in Fist Fight land, but the film still works surprisingly well as a satirical exploration of the American education system.
Not everyone will be down for Baywatch’s frivolity, but there’s value in a project knowing precisely what it is: not too serious summertime fun.
The comic book movie has become the biggest targets for criticism, but some of them still remain artful. We compare six superhero films.
In the first of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
In this beginner’s guide, we discuss John Carpenter’s work – spanning the duration of his career in skillfully frightening his audience.