Editor in Chief Manon de Reeper attended panels about trans people in film, female filmmakers and Queen Sugar at the Los Angeles Film Festival, this is her report.
Julie Dash’s 1991 debut still feels like an eye opening experience when viewed over 25 years later- you need to let it in to your life.
The excellent performances by Weisz and Claflin sadly don’t make up for the fact My Cousin Rachel is boring to the point of tedium.
Moka is a French slow burning drama that occasionally conjures some suspense, which makes it fascinating in its own way.
The Book of Henry is strange from its outset, and its lack of redeeming characters or strong emotional moments doesn’t much help matters.
Be they underrated flops, or initially acclaimed works that were forgotten, here are Film Inquiry’s picks of the films time shouldn’t forget.
The Autopsy of Jane Doe has an absolute doozy of a premise, but it soon gives way to ticking off every horror cliche in the book.
Baby Driver is a joyous summer film, an indelible sugar rush that is further proof that Edgar Wright is the true saviour of popcorn cinema.
Hope and talent drives the title character in Patti Cake$, but nearly everything else is stacked against her – her bid for rap stardom is blocked.
Lars von Trier has become infamous for his unabashedly grim and provocative works, yet he is a distinctive and brilliant director as well.
Well told, The Journey is an examination of the political relationship between Martin McGuinness and DUP Retiree Reverand Ian Paisley.
Rough Night starts weak- but with a decent amount of laughs and a deconstruction of gender tropes, it soon becomes a breath of fresh air.
The Seeker is a testament to Cloud Cult’s commitment to exploring new heights in the synergy between music and visual artistry.
Director Matthew Heineman brings audience close to danger again with his latest documentary, City of Ghosts.
Australian director Peter Weir is known for his outsider characters triumphing over adversity; here is a rundown of his most famous films.
