Red Trees is a poignant look at the Holocaust through the eyes of a survivor; we also spoke with director Marina Willer.
For Dinner With Dames #10, Cinefemme gathered a group of women filmmakers to dine with Byron Willinger, writer of The Commuter.
Only the Brave tells the story of the Granite Mountain Hotshots: a team of elite firefighters who fought the 2013 Yarnell Hill Fire.
The film adaptations only scratched the surface of JK Rowling’s world- the Harry Potter franchise needs a Game of Thrones style TV reboot.
Home Again is a stale romantic comedy that feels like a waste of the talents of everybody involved, feeling boring and aimless throughout.
Second Nature is a feel good goofy date night comedy that takes a poke at gender roles and has a fun cast of characters running the show.
NOVITIATE follows a young woman on her journey to become a nun as the Roman Catholic Church while undergoing radical changes.
Not all recycled ideas are created equally – many can be terrible, while some can excel. Here Zac Hestand presents the six levels of Rip-offs.
Detroit to be an eye-opening, courageous piece of film whose subject manner is a timely reminder of our lack of societal change.
Wind River is a haunting and wonderfully acted murder mystery that casts light on the inequality within Native American communities.
Tomas Trussow documents his third day of Toronto International Film Festival, in which he saw 5 films, from sci-fi to down-to-earth drama.
Loving Vincent is the first full-painted film that follows the life and death of Vincent van Gogh in 1890 France.
We talked with Jacob Burns Film Center programmer Lina Matta, who discusses the latest line-up for their Contemporary Arab Cinema series.
The Work is an essential piece of filmmaking that’s powerful in its observation and packs a strong emotional punch.
Cinema Novo is an impressionistic documentary about the classic Brazilian movie genre. It’s beautiful, but is too hard to grasp for newcomers.