Every year, between five to ten movies are bestowed the honor of being nominated by…
Tao Raspuli’s Monogamish asks the viewer to challenge their own pre-conceptions on relationships, with an effective, non-judgemental eye.
Despite big, loud, planet destroying special effects, Geostorm still ends up feeling like a dull, tired excuse for a blockbuster.
The skillful assembly of wondrous never-before-seen footage makes Jane the definitive tribute to the icon’s life and work.
In this in-depth analysis of Julia Ducournau’s Raw, Sophia touches on themes of sexuality, biblical references, and BDSM, among others.
Feeling both vitally important and imminently personal, The Light of the Moon is as remarkable as its title is poetic – and twice as powerful.
It may take certain liberties with the truth, but Professor Marston and the Wonder Women is still an enjoyable, inspirational biopic.
Blockers is an upcoming comedy about Mitchell (John Cena), Hunter (Ike Barinholtz), and Lisa (Leslie…
Loving Vincent is a stunning work of art, with every frame a Van Gogh-style painting, and it’s intriguing on a narrative level as well.
It’s almost Halloween, so the Film Inquiry writers tell about the films that truly scared them. Even traumatised them.
Suck It Up admirably attempts to tell a story with flawed women at its centre, yet sadly falls back on clichés and stereotypes at every turn.
Brimstone & Glory is a unique documentary and you’d be doing yourself a disservice to not catch it in theaters.
Only the Brave is more concerned with its traditional gender politics than making any grander statement on man’s relationship with nature.
In her final report, Emily recalls more films from the Heartland Film Festival, including Thelma, Dolores, Liyana and more.