Beast of Burden is a schlocky B-movie and, in some ways, that’s okay. Daniel Radcliffe exceeds expectations in Beast of Burden, a crime thriller that’s as hackneyed as one can be.
Where the original Wreck-It Ralph confined itself to video games, the sequel unleashes Ralph and Vanellope onto the maze that is the internet.
Richard Matheson’s 1954 novel I Am Legend has been adapted to the screen three times- but have any of the cinematic adaptations effectively translated the source material? Zac Hestand finds out.
Loaded with a star-studded cast, Nostalgia is an emotional trip down memory lane. It’s a poetic, yet melancholy look into the transitions of life and how it affects those around us.
Dante Lam’s latest military rollercoaster ride, Operation Red Sea, is an unrelenting vehicle of authentic action entertainment, an extensive series of well-executed, thrilling combat sequences.
It’s hard to imagine how Let The Sunshine In could go wrong, and given the strong reviews after its premiere at Cannes last year, it seems like a sure bet for any self-respecting cinephile.
With many facets within her career from the filmography, to her love life, to her untimely death, there’s no question that Natalie Wood deserves to be eulogized as a formidable actress and a caring human being. Here is a rundown of some of her very best.
Despite some real imaginative sequences, which are illuminated by excellent production design and great costume choices, See You Up There’s lacklustre style isn’t consistent, never quite reaching the heights that the absurd tale requires.
They Remain lives in the shadows of many similar films that came before it, but it’s not quite as captivating as any of those due to gimmicky cinematography and a story without much momentum.
In Gus Edgar’s final rundown of the films of the Berlinale, he reviews Die Tomorrow, Ága, Human, Space, Time and Human, In The Aisles and more.
Chen Sicheng’s Detective Chinatown 2 is a manic pop-fuelled explosion of fast-paced crime-solving, fringe supernatural developments and a brash indulgence in outdated stereotypes.
A classic horror film of Haitian voodoo and zombies, The Serpent and the Rainbow continues to scare and delight viewers with its historical relevance and impressive details.
Despite a premise which would beckon horror fans and cinephiles alike, Death House doesn’t deliver. Its many references and horror icons don’t contribute much to a story that is far too caught up in itself to be any fun.
Annihilation is best viewed as a trip deep into an otherworldly house of horrors, offering a deliberately illogical twist on the formula of horror movie storytelling.
We summarise the evening of the 90th Academy Awards and go over the winners and losers and the highlights of the evening!
