OBEY: A Compellingly Personal Story of Inequality

Obey is a compelling watch anchored by visceral, emotional performances by Rutherford and Miller, and a well-crafted script by Jones.

BLACKKKLANSMAN Trailer
BLACKKKLANSMAN Trailer

BlacKkKlansman is the first Spike Lee film in a while to get people talking, and…

The Beginner's Guide: Fifth Generation Chinese Cinema
The Beginner’s Guide: Fifth Generation Chinese Cinema

While ‘Fifth Generation Chinese Cinema’ technically refers to the films produced by the fifth generation of graduates from the Beijing Film Academy following Mao Zedong’s ‘Cultural Revolution,’ the connotations of the phrase are far deeper in meaning than simply referring to a group of people.

LU OVER THE WALL: Sugary Sweet, A Little Messy & Oh So Strange
LU OVER THE WALL: Sugary Sweet, A Little Messy & Oh So Strange

Lu Over the Wall combines a basic coming-of-age story with folkloric legend to concoct a tale of self-discovery that is incredibly messy, but also very beautiful.

DEADPOOL 2: More of the Same But Still Great Fun
DEADPOOL 2: More Of The Same But Still Great Fun

Though struggling with its initial attempts to find its footing, Deadpool 2’s overall sense of exuberance and self-aware nonsensicality is still evident throughout, showcasing both David Leitch’s talent to direct action and Reynolds’ commitment to his character.

LEAVE NO TRACE Trailer
LEAVE NO TRACE Trailer

In Leave No Trace, directed by Debra Granik, a father (Ben Foster) and his thirteen year-old daughter (Thomasin McKenzie) are living in an ideal existence in a vast urban park in Portland, Oregon, when a small mistake derails their lives forever.

Cannes 2018 Days 7, 8 & 9: A Fantastic Final Few Days

Gus Edgar reports from Cannes Film Festival, where he saw Solo: A Star Wars Story, Lars Von Trier’s The House That Jack Built, and more, and lists the winners of the festival’s Awards.

DUCK BUTTER: An Intriguing Concept That Doesn’t Quite Work In Execution

Though Duck Butter’s attempts to distinguish itself in an overloaded genre are admirable, it is unfortunately too undercooked to be a fully-fledged success. 

Tribeca Interview: PHENOMS Executive Producers Mario Melchiot & David Worthen Brooks On Revealing The Human Side Of The Beautiful Game
Tribeca Interview: PHENOMS Executive Producers Mario Melchiot & David Worthen Brooks On Revealing The Human Side Of The Beautiful Game

Lee Jutton had the chance to sit down and talk with the executive producers of PHENOMS, a new soccer documentary series, Mario Melchiot and David Worthen Brooks about how they chose their subjects and some of the most powerful moments they captured on the camera.

The Golden Koala Chinese Film Festival 2018 Report
The Golden Koala Chinese Film Festival 2018 Report

Alex Lines reports on his time during 2018 The Golden Koala Chinese Film Festival, held in Australia, and the films he was able to see: Interval and Fist & Faith.

LIFE OF THE PARTY: Turn Up If You Like Melissa McCarthy
LIFE OF THE PARTY: Turn Up If You Like Melissa McCarthy

Life of the Party may be one of the weaker comedies to come from Melissa McCarthy in a leading role, but it’s entertaining, pleasant and harmless enough to warrant your attendance if you’ve been taken by McCarthy’s previous work with Ben Falcone.

CLIMAX Trailer
CLIMAX Trailer

Gaspar Noé is back with a controversial film – this is the trailer for his latest, CLIMAX, starring Sofia Boutella.

BATMAN RETURNS: The Birth Of Villain Overload
BATMAN RETURNS: The Birth Of Villain Overload

Zac Hestand takes a look back at the comic movie classic Batman Returns and how its overload of villains spawned an industry standard.

Interview With Paul Schrader, Writer & Director Of FIRST REFORMED
Interview With Paul Schrader, Writer & Director Of FIRST REFORMED

We were able to talk with the great Paul Schrader, director and writer of the upcoming film First Reformed, out on May 18th.

OVERBOARD: A Modern Update of a Neo-Screwball Classic
OVERBOARD: A Modern Update Of A Neo-Screwball Classic

Overboard takes the basic structure of the original film and gives it a modern update, with Eugenio Derbez and Anna Faris both giving enjoyable and endearing performances while not losing all the screwball charm of the original.