Dial of Destiny is not perfect, with noticeable flaws, but it is also very entertaining, exciting, and well-acted.
This week Jesse reviews Indiana Jones and the Dial of Destiny, then Film Inquiry Editor-in-Chief Kristy Strouse joins to discuss the Indy series as a whole.
It may not stand against the test of time in all that it has to deliver, but The Ring still proves to audiences why it never sleeps.
Ruby Gillman, Teenage Kraken doesn’t make a huge splash, but it does tread well enough to be an enduring animated film for those still in the kiddie pool.
A troubled security guard begins working at Freddy Fazbear’s Pizzeria, but soon realizes the late shift at Freddy’s won’t be so easy to make it through.
Asteroid City is stylistically undifferentiated from most of Anderson’s recent output but it does take the audience behind the curtain.
The Stranger has many surprises and very clever narrative journeys, managing to build an atmosphere of suspense with very few and wisely used resources.
Based on the insane true story of people who flipped the script on Wall Street and got rich by turning GameStop into the world’s hottest company.
From Fantastic Mr. Fox to The French Dispatch, something strange and different happens every time and Asteroid City is no different.
Lynch/Oz is a very film 101 documentary, one which aims to open doors for the performer, lover, and cinema enigma that is Lynch.
This week, Jesse and guest Jordan Snyder discuss the filmography of director Wes Anderson, including his latest film, Asteroid City.
Evil Dead is brutally violent and unrelentingly gory, yet it is also the work of an artist with a passion for the craft.
While Minted presents intrigue in both the product and the artists behind them, it struggles to become a cohesive unity of art and information.
Human Flowers of Flesh is just as enticing for anyone who has or hasn’t seen Beau Travail.