Freaks is a paranoid little picture, using its influences wisely while manufacturing something distinctive: one of the best Sci-fi’s of the year.
Alfred Hitchc*ck’s oft-forgotten The Trouble With Harry delightfully blends small-town Americana with his usual penchant for droll humor and the macabre.
Despite some early objections, The Boys turned out to be a pretty terrific show that exceeded initial expectations and then some.
The Giverny Document demands attention, and even if the attention it does receive ends up in the limited availability of a museum, the format cannot be more appropriate.
Guest of Honour ultimately feels like a missed opportunity for both an intriguing character study on grief, and a compelling drama.
Waves is an exquisitely crafted piece of art that solidifies Shults as a force to be reckoned with.
Brittany Runs a Marathon is positively delightful, a rare comedy that doesn’t gloss over the often painful challenges one faces in changing one’s life for the better.
A group of students are stalked by a stranger during their Christmas break. A remake of the 1974 horror film ‘Black Christmas’.
Stephanie Archer had the opportunity to speak with Amy Schatz, director of In the Shadows of the Tower: Stuyvesant High School On 9/11.
The Dark Crystal: Age of Resistance is the bold kind of fantasy that is more than welcome from the Henson studio in the 21st century.
Measure For Measure is a worthy testimonial to the talents of a gifted screenwriter and actor who has left us too soon.
Balloon is a short film that will lend different meanings to a wide variety of viewers, yet one feels it may draw in the wrong crowd.
Amy Schatz’s “In the Shadow of the Towers: Stuyvesant HIgh on 9/11” recounts the harrowing day through the eyes of high school students who saw it happen first hand.
Above all, Pedro Almódovar’s latest film Pain and Glory is a semi-autobiographical trilogy and a love letter to cinema.
A newly crowned king must navigate palace politics, the war his father left behind, and the emotional strings of his past life.
