A new Dietrich & Von Sternberg box set, Abel Ferrara’s debut 9 Lives Of A Wet Pussy and Perry Henzell’s The Harder They Come – we cover them in this week’s Video Dispatches.
Predictable to a fault, Ready or Not is still engaging, edge-of-your seat entertainment that brings just enough gore coupled with humor.
Katrin Gebbe’s Pelikanblut is a balance of dramatically written material and an underbelly of deliciously spooky horror.
The losers are as compelling as before, Chapter Two successfully binds this group to its former to give fans a nuanced end.
We spoke with Emile Hirsch about his performance in Freaks, working with the young Lexy Kolker, and his thoughts on the recent cult fandom for Speed Racer.
Thoughtfully composed and steadily educational, Super Whale Highway’s reflection on the domestic duties of the humpback whale is a trip worth taking.
The King may not be Michôd’s best by any means, but with strong performances and cinematography, it’s a strong effort nonetheless.
Om det oändliga (About Endlessness) can be painfully slow at times, but it is superbly captured with a truly delightful aesthetic.
As we head into the final two episodes, we have relationships on the verge of collapse, secrets to be exposed and a target on the Boys’ backs. Whatever happens next, it’s sure to be bloody.
Monos isn’t simply a film you watch, it’s an unflinching descent into chaos in the best way possible, haunting you long after the film has ended.
A crew of underwater researchers must scramble to safety after an earthquake devastates their subterranean laboratory.
Adults In The Room is a hard sell, failing to deliver an intriguing narrative despite being about the political cunning behind the Greek financial bailout.
Give Me Liberty evokes a sense of timelessness and universality that permeates through every element of the film.
Equalled with terrific editing and a beautiful turn of cinematography, Revenir is a terrific boiling pot of emotional intensity.
Thankfully, strong cast and fan following go along way to make Angel Has Fallen enjoyable despite its director’s shortcomings.
