Blue Note Records: Beyond the Notes is eager to encompass all of what makes Blue Note so special while offering the barest amount of context to bring in the uninitiated.
Ode to Joy doesn’t really work as either an efficient comedy or drama (or even a bit of both), with the familiar beats and tropes lacking in any real thought.
In our first recap from this year’s MIFF 2019, we look at the films The Invisible Life of Eurídice Gusmão, Koko-di Koko-da and Tommaso!
By presenting a comedy with the formal elements of a slasher, Camp Wedding fails to be interesting or entertaining within either genre.
Alex Lines spoke to Tory Kittles, star of S Craig Zahler’s controversial Dragged Across Concrete, ahead of its Australian release.
Read our interview with film critic Jonathan Rosenbaum about his new book Cinematic Encounters: Portraits and Polemics focused on 24 influential directors.
Surrealist comedy Nothing Really Matters involves nightmarish imagery and brimming uncertainty that makes you think of a David Lynch movie.
In Ready Or Not, a bride’s wedding night takes a sinister turn when her eccentric new in-laws force her to take part in a terrifying game.
With Happy New Year, Colin Burstead, Ben Wheatley has crafted a very funny, very real family drama that shows a simple universal truth: all families are weird.
Another Life is a unique space drama, but unfortunately it fails to be an immersive experience like that of the genres it draws from.
There is no doubt that Cajun Navy is an important documentary, highlighting the efforts of ordinary people who strive to make a difference, and encourage everyone else to do so.
Queer Eye continues to focus on self-care and embracing change, reminding its participants and audiences about the importance of acceptance of oneself and of others.
This Changes Everything is a documentary directed by Tom Donahue that examines and reflects upon the gender disparity within the entertainment industry.
Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don’t know they’ve been chosen for The Hunt.
It was kind of odd coming of age in the early 2010’s and seeing these ultra-fantastic teen stories, yet Palo Alto proved to be in a league all its own.
