In The Goldfinch, a boy in New York is taken in by a wealthy Upper East Side family after his mother is killed in a bombing at the MoMA.
We look back at the history of Godzilla, starting in the 1954 Japanese film, and why the character has had a lasting impact all these years later.
Tater Tot & Patton doesn’t play by those rules. Instead, we are given an odd, slow burn with endearing performances and a lesson to be learned.
Deadwood: The Movie is a remarkable achievement, bringing us back to the town and characters we love and providing what we needed all this time: closure.
Godzilla: King of the Monsters, from start to finish, is evidence that Dougherty loves Godzilla, but the action staged on-screen is far from perfect.
The hands of power have shifted and four pomegranate seeds have been gathered – we are halfway through The Spanish Princess!
For all its flaws, Girls Stroke Boy is a portrayal that is more progressive than a lot of current cinematic depictions of trans people.
Wonders of the Sea following explorer and filmmaker Jean-Michel Cousteau is well-intentioned but never a truly satisfying experience.
Chernobyl has haunted and disturbed viewers with visual elements and direct faults of man so far, the fourth episode yet is the hardest of them all.
The third episode of Chernobyl leaves you helpless with this ghoulish and grisly wave of inevitably, but you can’t for the life of you take your eyes away from it all.
We spoke with Hilary Swank and Clara Rugaard, stars of the upcoming sci-fi thriller I Am Mother, about what makes this specific sci-fi so intriguing.