Surviving the experience of Queen of Diamons means being rewarded with a film that has more to say with far fewer words than much of independent cinema today.
Kristy Strouse recalls some of the incredible immersive opportunities she was able to experience at the 2019 Tribeca Film Festival.
Hail, Satan? neatly fits in with a series of recent documentaries that do little more than preach to the liberal choir.
Knock Down The House highlights four political pioneers, and provides an intriguing snapshot of post-2016 election America.
The idea of a future where women are valued only for their ability to repopulate doesn’t seem far-fetched today, giving Only an undercurrent of terror.
Straight from Tribeca 2019, Kristy Strouse reviews All I Can Say, Bliss and Lost Transmissions, and spoke with Simon Pegg on the red carpet.
American Gods will be back for a Season 3 with a lot of story to unpack as the show seems to be just vamping up.
With lots to wrap up before the two hour finale, dedicated fans of Shadowhunters can only hope that everything is brought to the finish line.
We spoke with the three-person directing team behind rock doc All I Can Say, Danny Clinch, Taryn Gould, and Colleen Hennessy, at Tribeca 2019.
About a Donkey embraces its identity, and allows its viewers to grasp this, but also infuses their own personal experiences within these character’s journeys.
In The Art of Self-Defense, after a man is attacked at random on the street he enlists at a local dojo in an effort to learn how to defend himself.
Cinefemme gathered a group of women filmmakers to dine with the night’s mentor, David Geddes, DP & director of DC’s Legends of Tomorrow.
Every week we take a look at the latest home video releases. This week, we take a look at The River’s Edge (1957), The Reckless Moment (1949) & Phantom Lady (1944).
Tribeca… I’m back! There was an immediate sensation of home in the streets of NY…