A film that is laced with pride and hope without the frilly details of any other sports film, The Grizzlies is all about grit, raw and tender moments of belonging and the strength to continue on.
Booksmart isn’t just a hilarious high school movie; it serves as a necessary reminder to rethink our initial judgments of people and actually try to get to know them instead.
Screening at this year’s Tribeca Film Festival as part of the U.S. Narrative Competition, Blow…
We were able to sit down with director Ant Timpson, and stars Elijah Wood and Stephen McHattie to discuss their new and wild film Come To Daddy.
While it’s plot is relatively flimsy, American Woman thrives on the basis of its powerful performances, particularly those from Hong Chau and Sarah Gadon.
We spoke with Puerto Rican director Zoé Salicrup-Junco about her important short film about the current immigration crisis, Marisol.
The tension between musical and war drama at times overwhelms the picture – but god, even when it’s a failure, Swing Kids is entertaining as hell.
Whether a gift from God or the vitality of technological advancements, Amazing Grace is a gift of cinematic resurrection brings back Aretha in all her glory.
Be Natural: The Untold Story of Alice Guy-Blaché does a great service in making sure that we never again forget about Guy-Blaché’s contributions to film history.
We were able to talk to Matt Ratner, director of the comedy Standing Up, Falling Down, featuring the iconic Billy Crystal.
In The Last Black Man In San Francisco, a young man searches for home in the changing city that seems to have left him behind.
We delve into Pawlikowski’s unique grasp of time as it relates to the central romance in his film Cold War.
I came to the conclusion that I like watching paint dry because not only did…
Matteo Garrone is arguably one of the most talented filmmakers working today. He is certainly,…
Even if Non-Fiction doesn’t end up being a revelatory film in Assayas’ catalogue, it’s never uncompelling.