In Gemini Man, an over-the-hill hitman (Will Smith) faces off against a younger clone of himself.
Following Skate Kitchen and the Oscar nominated Minding the Gap, mid90’s continues the recent renaissance of skateboarding in the movies.
Overall, In A New York Minute feels unique in its premise and execution, and a very promising entry early in Ximan Li’s filmography.
Despite the great performances by the three leads, Little suffers from a predictable plot and basic jokes.
With only one episode left in the season, American Gods has to create some tension amongst its cast of characters.
América is an empathetic, heartening documentary, painfully true in its depiction of the hardships arising from family members caring for an elder who’s losing her grip on their and her own identity.
There’s a refreshing nature in Wild Nights With Emily to how Madeleine Olnek gives Dickinson a certain dignity while embracing her truths that were buried in her work.
Game of Thrones spent so much time drumming up the battle with the Dead, that everything that comes after will be second fiddle in intensity and importance.
We discuss the trend (and often, shortcomings) of truth-based horror, e.g. taking a folktale like La Llorona and making a horror film based around it.
Kathryn Leigh Scott, actress of Dark Shadows, talks about her role in the film and the upcoming documentary Master of Dark Shadows.
Lee Chang-dong’s masterful Burning is a pot of luscious ambiguity that has us pining for answers.
Top End Wedding is filled with all the romcom tropes and cliches you expect, but Wayne Blair’s film manages to sell this spin on the formula.
In The Dead Don’t Die, the peaceful town of Centerville finds itself battling a zombie horde as the dead start rising from their graves.
As with the girls at the center of this story, At the Heart of Gold is a documentary that people need to see, and to understand.
Black Swan analyzes the pressure of perfection that is forced upon women by society, highlighting its long-lasting detrimental effects.
