Marisol is an eye opening experience for the viewer, its intensity and visual representations resonating long after the short has ended.
Though with a premise that sounds intriguing, William is a curio taken in entirely the wrong direction.
With HBO, there is bound to be something you’ll like as the variety is heavy, the watchability high, and the quality is stunning.
Wild Nights With Emily tells the story of the little known side of the writer Emily Dickinson, in particular her relationship with another woman.
Among other things, Us delves into the idea of privilege, and what it means to have everything you need while others are suffering.
Unicorn Store, Brie Larson’s directorial debut, marks the beginning of a new chapter in the multi-hyphenate’s career.
The Hummingbird Project is hell-bent on becoming a conventional thriller, never grappling with the theme of money’s corrupting influence.
Nemes’ masterpiece Sunset ruminates on the cyclical ignorance of humanity to blistering effect, eliding our past faults, our present negligence and our future turmoil.
Jessie Buckley is a star, and the fact she makes Wild Rose almost worth watching is testament to her skill as an actress.
Poms is a comedy about a group of women who form a cheer leading squad at their retirement community, proving that you’re never too old to ‘bring it!’
In Angels & Demons, “antimatter” is what the villains want to use to blow up the Vatican. What is antimatter, and is it really that explosive?
With a simple premise and gorgeously pared down visuals, Laundromat is a wonderful short that perfectly captures a tiny facet of the human experience.
Meme can be a brilliant thriller when it wants to be, but there is a heck of a lot of philosophising bridging those tenser moments.
Kent Jones’ Diane struggles to define itself as something more than an average, albeit thoughtful, indie film.
The Joker is one of the most popular and most frequented DC villains to hit the screen – Kristy Strouse looks at his evolution over the years.
