Stanley Donen is a testament to the fact hopes and dreams are necessary because sometimes they do come true.
We Die Young has sporadic moments of action greatness, but feels overlong even with a brisk 90 minute runtime.
Shadowhunters “A Kiss From A Rose” was back with a punch, delivering one delicious detail after another, excitement to return each week freshly renewed.
The Brink is a well-constructed documentary that offers a lucid view of how the Breitbart founder thinks and operates.
Spring Breakers may be much more profound of a film than initially thought, lucidly expressing our fascination with money and violence.
We’re in a shift in the current age of horror, where films tend not to be outright scary, but instead delve more subtly into inborn fears.
Alex Lines reports back from Alliance Française French Film Festival 2019 where he saw Olivier Assayas’ Non-Fiction – an increasingly rare type of drama.
With a premise filled with potential and talent both in front of and behind the screen, Captive State is an unfortunate disappointment.
In Late Night, starring Mindy Kaling and Emma Thompson, a late-night talk show host suspects that she may soon be losing her long-running show.
In honor of this treacherous month, our writers are highlighting their favorite (that may be the wrong word) betrayals in film.
After last Sunday’s ending to American Gods, we were ready to get some answers on what happened to Shadow.
Donnybrook ends with a final battle for the ages. It’s just a shame that the road leading there is a miserable slog.
In this latest video dispatch, Shawn discusses the home video releases of Year of the Dragon, Dawson City: Frozen Time & Maurice.
Good Boys is not for everyone, for it is messy and repetitive in what it’s doing, but it is also exceptionally funny, charming, and thoughtful.