This Australian horror has languished in obscurity for years, but a new restoration by Second Sight should make it the genre classic it deserves to be.
In our second review from SXSW 2019, Hazem Fahmy reviews The Beach Bum – a fantasy with no real-life application.
In Dragged Across Concrete, two overzealous cops get suspended from the force; they must delve into the criminal underworld to get their just due.
After an enormously successful debut with Get Out, Jordan Peele delivers another bold film with Us, and seems to be creating a whole new genre.
Following Spielberg’s Netflix comments and more people saying they’d prefer to see movies at home, Alexia Amoriello defends the theatrical experience.
Contrary to popular belief, getting the Boston accent right is not just about dropping an “r” where you’re not supposed to or adding one to a word when it isn’t necessary.
Reklist is a centralized place to send and receive entertainment recommendations, keep track of what you have read & watched, and discover new titles.
We recap episodes 10 to 13 in the fourth season of The CW’s Supergirl, leading to the introduction of Lex Luthor.
Everybody Knows may be a little overlong, but it’s frequently compelling due to a powerhouse performance by Penélope Cruz.
In Video Dispatches we cover recent home video releases. This week, My Name is Julia Ross (1945), So Dark the Night (1946), and Mikey And Nicky (1976).
In the annals of cinema history, there have been few filmmakers that were talented, and…
In the second of this series breaking down the best Simpsons episodes, Sean Fallon takes a look at season 4’s “Homer the Heretic”.
When it comes down to it, you’ve seen this type of movie before, but rarely with this setting and with people from this part of the world.
Giant Little Ones, directed by Keith Behrman, explores new territory in the teenage “coming out” film genre and it’s a refreshing, welcomed addition.
The Dirt tells the story of how Mötley Crüe came to be one of the most notorious rock ‘n roll groups in history.
