In the first part of Trash Caviar in which Julian Rosenthal inspects the finest of trash, he recalls Nicolas Cage’s off-the-wall character in Bad Lieutenant: Port of Call New Orleans.
Rocking the Couch charts 100 years of abuse claims in the film industry, asking how far Hollywood has come since the silent era.
With much unknown still remaining this season on Riverdale, especially in the wake of a lost cast member, all we can do is hold on and wait.
All Is True fails to really justify itself: it’s a patchwork of ideas that never really coalesces confidently.
In Yesterday, a a struggling musician realizes he’s the only person on Earth who can remember The Beatles.
The Last Walk, a short film by Anna Hoover, is a heartbreaking, but beautiful tribute to the land for which it captures.
Female Human Animal is a unique experiment into pushing the boundaries of what is considered to be fact or fiction.
Level 16 is an excellent short film trapped inside a pretty good full-length feature. Its shortcomings hurt its long-term impact.
More of a Meh-vel than a Marvel, but this first Captain Marvel film gives hope for stronger sequels in the future.
The Wandering Earth may seem like one small step in the eyes of Western moviegoers, but it is one giant leap for Chinese cinema.
Katharine Hepburn, a four-time Oscar winning actress, appeared in 52 feature films in a career spanning over 60 years. We take a look at her legacy.
Everything about Leaving Neverland is designed to be uncomfortable, from the running time to the connection between the viewer and the film’s subjects.
With the end in sight, there seems to be trouble brewing from every angle for the Shadowhunters in the coming future.
Greta is an acquired taste that will frustrate some viewers while others will revel in its campy absurdities.
The Kid tells the story of a young boy who witnesses Billy the Kid’s encounter with Sheriff Pat Garrett.
