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MONSTER: The Truth About Youth
MoMI First Look 2024: A Wave of Films That Blend Imagery And Medium
KUNG FU PANDA 4: Enough Wit For One More Kick
LATE NIGHT WITH THE DEVIL: Heeeeeere’s Satan!
Sundance Film Festival 2024: BYE BYE, BOWSER, DREAM CREEP & SAY HI AFTER YOU DIE
Sundance Film Festival 2024: Interview With Writer And Director Masha Ko of THE LOOMING
Slamdance Film Festival 2024: DARLA IN SPACE & WELCOME TO THE ENCLAVE
Slamdance 2024: LEGEND OF EL CUCUY
MoMI First Look 2024: A Wave of Films That Blend Imagery And Medium
SXSW Film Festival 2024: AN ARMY OF WOMEN & WE WERE DANGEROUS
SXSW Film Festival 2024: BIRDEATER
SXSW Film Festival 2024: ROAD HOUSE, MONKEY MAN & THE FALL GUY
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NO WAY UP Represents The Democratization Of Bad Underwater Thrillers
Why Animated Films Should Be Included In The Best Picture Category
Zero-Waste Set Design: Redefining Sustainability In The Entertainment Industry
THE HUNGER GAMES: A Brief History Of YA Adaptations
Interview With Dylan Baker for LAROY, TEXAS
ISA TOP 25 SCREENWRITERS TO WATCH Interview With Thuc Doan Nguyen
Interview With Screenwriter Alessandro Camon For THE LISTENER
THINGS WILL BE DIFFERENT Writer/Director & Cast Interview!
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RETROSPECTIVE: KOREAN CINEMA’S GOLDEN DECADE: THE 1960s
The Beginner’s Guide: Scott Alexander & Larry Karaszewski, Screenwriters
Actor Profile: Kirsten Dunst
Actor Profile: Jim Carrey
Actor Profile: Kirsten Dunst
Actor Profile: Jim Carrey
Actor Profile: Tim Curry
Actor Profile: Nicolas Cage
The Beginner’s Guide: Scott Alexander & Larry Karaszewski, Screenwriters
A Beginner’s Guide to National Cinema Theory
The Beginner’s Guide: John Singleton
Beginner’s Guide: George Miller, Writer & Director
RETROSPECTIVE: KOREAN CINEMA’S GOLDEN DECADE: THE 1960s
The Joker’s Smile, Part 3: The Final Joke (For Now…)
The Joker’s Smile, Part 1: The 20th Century’s Most Adaptable Character
Louis Le Prince: The Unsolved Disappearance Of The Father Of Cinema
A Beginner’s Guide to National Cinema Theory
Critiquing The Critic: The Evolution & Function Of Film Criticism
Anarchic Cinema: Jean Vigo’s ZERO FOR CONDUCT
Anarchic Cinema: V-Cinema & Takashi Miike
The History of Hong Kong Action Cinema Pt. 7 – 2000-Present: Life After the Handover
The History of Hong Kong Action Cinema Pt. 6 – 1980-2000: Handover & Second Wave
The History of Hong Kong Action Pt. 5 – 1980: New Wave, Cinema City, Jackie Chan & John Woo
The History of Hong Kong Action Cinema Pt. 4 – 1960-1980: New Wave
How to Analyse Movies #8: Putting It Into Practice
How to Analyse Movies #7: Iconography & Realisticness
How to Analyse Movies #6: Story & Genre
How to Analyse Movies #5: Lighting, Sound & Score
The EEOC Gender Probe: I Don’t Regret Starting the Fight
MPAA, Studios Fund 12-Step Programs For Women Directors (PARODY)
Weinstein Scandal Should Affect The Outcome Of The EEOC Hollywood Probe (THR Guest Column)
A Surprisingly Simple Solution For Women Directors
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Slamdance 2024: RESTORAGE
The Coroner’s Assistant, “The Interview/The Inquest:” A Deathly Comic Debut
OUR FLAG MEANS DEATH Season 2: Ship Just Got Real
GOOD OMENS Season Two: A Gorgeously Miraculous Second Act
Slamdance 2024: RESTORAGE
The Coroner’s Assistant, “The Interview/The Inquest:” A Deathly Comic Debut
SHADOW AND BONE SEASON 2: Shaky Start Folds To Solid Finish
THE LAST OF US Season 1 Episodes 2-5: Whoa, We’re Halfway There
OUR FLAG MEANS DEATH Season 2: Ship Just Got Real
GOOD OMENS Season Two: A Gorgeously Miraculous Second Act
THE FALL OF THE HOUSE OF USHER: Flanagan Does It Again
THE BEAR Season Two: An Elevated Experience
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Home
Film Reviews
All Reviews
Short Film Reviews
Film Festival Coverage
MONSTER: The Truth About Youth
MoMI First Look 2024: A Wave of Films That Blend Imagery And Medium
KUNG FU PANDA 4: Enough Wit For One More Kick
LATE NIGHT WITH THE DEVIL: Heeeeeere’s Satan!
Sundance Film Festival 2024: BYE BYE, BOWSER, DREAM CREEP & SAY HI AFTER YOU DIE
Sundance Film Festival 2024: Interview With Writer And Director Masha Ko of THE LOOMING
Slamdance Film Festival 2024: DARLA IN SPACE & WELCOME TO THE ENCLAVE
Slamdance 2024: LEGEND OF EL CUCUY
MoMI First Look 2024: A Wave of Films That Blend Imagery And Medium
SXSW Film Festival 2024: AN ARMY OF WOMEN & WE WERE DANGEROUS
SXSW Film Festival 2024: BIRDEATER
SXSW Film Festival 2024: ROAD HOUSE, MONKEY MAN & THE FALL GUY
Features
All Features
Interviews
Giveaways
NO WAY UP Represents The Democratization Of Bad Underwater Thrillers
Why Animated Films Should Be Included In The Best Picture Category
Zero-Waste Set Design: Redefining Sustainability In The Entertainment Industry
THE HUNGER GAMES: A Brief History Of YA Adaptations
Interview With Dylan Baker for LAROY, TEXAS
ISA TOP 25 SCREENWRITERS TO WATCH Interview With Thuc Doan Nguyen
Interview With Screenwriter Alessandro Camon For THE LISTENER
THINGS WILL BE DIFFERENT Writer/Director & Cast Interview!
ENTER FOR A CHANCE TO WIN THE DEPARTED DIGITAL MOVIE!
ENTER FOR A CHANCE TO WIN A CONTAGION DIGITAL MOVIE!
Win A Free Copy of THE HOLDOVERS on Collector’s Blu-Ray
ENTER FOR A CHANCE TO WIN NATIONAL LAMPOON’S CHRISTMAS VACATION, THE POLAR EXPRESS, AND A CHRISTMAS STORY DIGITAL MOVIES!
Columns
All Columns
Bollywood Inquiry
Fantasy Science
Queerly Ever After
Staff Inquiry
Video Dispatches
Horrific Inquiry: THE OMEN (1976)
Horrific Inquiry: LEPRECHAUN 4: IN SPACE
Away from the Hype: THE DAY OF THE DOCTOR
Horrific Inquiry: LET ME IN (2010)
Resources
All Resources
Actor Profiles
Beginner’s Guides
Film History
Film Theory
Hong Kong Action Cinema
How To Analyse Movies
Maria Giese VS Hollywood
RETROSPECTIVE: KOREAN CINEMA’S GOLDEN DECADE: THE 1960s
The Beginner’s Guide: Scott Alexander & Larry Karaszewski, Screenwriters
Actor Profile: Kirsten Dunst
Actor Profile: Jim Carrey
Actor Profile: Kirsten Dunst
Actor Profile: Jim Carrey
Actor Profile: Tim Curry
Actor Profile: Nicolas Cage
The Beginner’s Guide: Scott Alexander & Larry Karaszewski, Screenwriters
A Beginner’s Guide to National Cinema Theory
The Beginner’s Guide: John Singleton
Beginner’s Guide: George Miller, Writer & Director
RETROSPECTIVE: KOREAN CINEMA’S GOLDEN DECADE: THE 1960s
The Joker’s Smile, Part 3: The Final Joke (For Now…)
The Joker’s Smile, Part 1: The 20th Century’s Most Adaptable Character
Louis Le Prince: The Unsolved Disappearance Of The Father Of Cinema
A Beginner’s Guide to National Cinema Theory
Critiquing The Critic: The Evolution & Function Of Film Criticism
Anarchic Cinema: Jean Vigo’s ZERO FOR CONDUCT
Anarchic Cinema: V-Cinema & Takashi Miike
The History of Hong Kong Action Cinema Pt. 7 – 2000-Present: Life After the Handover
The History of Hong Kong Action Cinema Pt. 6 – 1980-2000: Handover & Second Wave
The History of Hong Kong Action Pt. 5 – 1980: New Wave, Cinema City, Jackie Chan & John Woo
The History of Hong Kong Action Cinema Pt. 4 – 1960-1980: New Wave
How to Analyse Movies #8: Putting It Into Practice
How to Analyse Movies #7: Iconography & Realisticness
How to Analyse Movies #6: Story & Genre
How to Analyse Movies #5: Lighting, Sound & Score
The EEOC Gender Probe: I Don’t Regret Starting the Fight
MPAA, Studios Fund 12-Step Programs For Women Directors (PARODY)
Weinstein Scandal Should Affect The Outcome Of The EEOC Hollywood Probe (THR Guest Column)
A Surprisingly Simple Solution For Women Directors
TV
All TV
Episode Reviews
Season Review
Slamdance 2024: RESTORAGE
The Coroner’s Assistant, “The Interview/The Inquest:” A Deathly Comic Debut
OUR FLAG MEANS DEATH Season 2: Ship Just Got Real
GOOD OMENS Season Two: A Gorgeously Miraculous Second Act
Slamdance 2024: RESTORAGE
The Coroner’s Assistant, “The Interview/The Inquest:” A Deathly Comic Debut
SHADOW AND BONE SEASON 2: Shaky Start Folds To Solid Finish
THE LAST OF US Season 1 Episodes 2-5: Whoa, We’re Halfway There
OUR FLAG MEANS DEATH Season 2: Ship Just Got Real
GOOD OMENS Season Two: A Gorgeously Miraculous Second Act
THE FALL OF THE HOUSE OF USHER: Flanagan Does It Again
THE BEAR Season Two: An Elevated Experience
Trailers
Store
ISA
Follow
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Alex Wheeler
Alex is a film addict, TV aficionado, and book lover. He's perfecting his cat dad energy.
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