Features
On this Away from the Hype, we look at the racy 1995 film: Showgirls.
Without Gandolfini, without any sort of revelation, we’re left with a movie that sort of resembles The Sopranos but feels more like a cheap knock off.
Don’t Worry Darling encourage passivity in their focus on the “seductiveness” of the material to the detriment of their politics.
Throughout Better Call Saul, Jimmy and Kim’s romance has explored the passion and love found in Classic screwball comedies.
On top of being a visually breathtaking feat of animation, Sleeping Beauty is an incredibly unique film in the classic Disney princess canon.
In the 1970s, a decade many have argued was the best time for cinema, film adaptations of bestselling novels were more common.
Atom Egoyan has made a series of dark, off-beat, and simply ingenious thrillers most film lovers have not seen.
Out of all of the Batman movies I have seen, the 1989 version is the best, and director Tim Burton captures the moody magic of Batman with a deft hand.
Ultimately, films like The Craft, The Love Witch, and even The Witch wouldn’t be the same without Romero’s should-be classic, Season of the Witch.
Gone With the Wind is considered an essential watch for anyone who enjoys cinema and one of the original blockbusters. But, how is it away from the hype?
The Human Centipede trilogy is arguably one of the most infamous horror films of recent decades, spawning a cult fandom of midnight moviegoers.
There’s no arguing about how incredibly, wildly, and gleefully gay Jackass is.
While the Boston movie itself seems to have gone the way of the Western, the appeal of its core themes, and its sensibility seems to remain.
Theo Angelopoulos is an award-winning, visionary director, yet his work is largely unavailable on DVD or streaming.
A look into the widening berth of genres within the Marvel Cinematic Universe and why deviating from the same-old superhero movie is best.
