Film Reviews
One of the most painfully lovely films of last year, Monster is a moving reminder of the importance of empathy and understanding.
Soham Gadre takes a look at the Museum of the Moving Image’s “First Look” Series!
Kung Fu Panda 4 has lost some of its mojo, but still has a few nice moves left in this old franchise.
Late Night with the Devil will leave you speechless by film’s end, unable to verbalize how you feel or what you are seeing.
Bottle Conditioned is a fresh documentary about a beer known for being aged, and I recommend pairing it with a glass or two for yourself.
Society of the Snow delivers a powerful narrative that transcends the screen, prompting audiences to contemplate the depths of human endurance.
In this SXSW report, we take a look at two female-driven titles: An Army of Women and We Were Dangerous.
A skill that speaks to a seasoned directing team, but as a debut feature Birdeater tests and tortures, and doesn’t waver.
Had Reality been released today, it likely would have attracted more eyeballs to what is truly a fascinating film.
A dark fairy tale that blurs the line between reality and fantasy, Riddle of Fire will make you feel young again in the best way possible.
By the final image of The Promised Land, we’ve been taken on an epic adventure, and in our heart of hearts, we are sated by the sweep of it all.
Club Zero is often disturbing and always engaging, but it’s certainly not for everyone.
Three of the biggest headliners this year’s SXSW Film Festival are action movies, featuring some of the craziest fist fights seeen on the big screen.
Desert Road is what indie cinema should be. It’s ambitious, beautifully shot, and entertaining in all the right ways.
My Sextortion Diary, the hour-long documentary that arose from Franquesa’s harrowing experience with digital blackmail.
