Film Reviews
No Way Up still retains the entertainment factor, no matter its predictability and overarching absurdity.
The investment of Bleeding Love sneaks up on you delivering a deeply cathartic conclusion.
The world is bedazzled by everything Taylor Swift does, and in the wake of Barbenheimer and event cinema being a defining feature of 2023.
Durkin’s moving, muscular tale will astound and captivate you, and is unlikely to leave a dry eye in the house. The Iron Claw is a spectacular triumph.
Skin Deep remains a thought-provoking exploration and an impressive first feature using all the resources at its disposal.
Still Working 9 to 5 is a captivating documentary not only entertains but also invites both new and seasoned fans to rediscover.
Every time The Breaking Ice seems to be on the brink of shattering, it glides.
With his fourth feature film Love and Work, Pete Ohs has proven himself a master of creating unique screen stories with remarkably little on-screen frills
Float loses much of its authenticity and charm in the lackluster filler and predictability, drowning with no chance of rescue.
While not as predictable as the pattern, Argylle doesn’t have much surprise despite its cast and energy.
The Accident is an Italian dramatic comedy from Giuseppe Garau that’s intimate, engaging, and a bold step into the world of fictional narrative features.
Director Sean Mattison, along with producer Trevor Martin and their team, follows Petro from his campaign’s inception on through the historic election day.
Disco Boy doesn’t quite work, though thanks to some quality craftsmanship and the always-fantastic Franz Rogowski, it does come close.
Kristy Strouse takes on three bold short films, wrapping up this year’s Sundance Film Festival with some horror, some comedy, and some punk rock.
In All I’ve Got and Then Some, Rasheed Stephens brings his own experiences to the big screen to tell a story of passion, dedication, and sacrifice.
