1930s
It has been 90 years since the release of The Invisible Man and much of the film holds true in spite of its age.
The Most Dangerous Game proves itself to be a classic film that goes beyond the staples of film infancy.
As a whole though, Dracula balances out as a brilliant classic of an early introduction to sound films and early horror inductions.
The Mummy remains a classic staple of horror and the mummy genre, transforming itself to immortality of cinematic history.
With the TCM Classic Film Festival kicking off in May, Lee Jutton takes a look at Michael Curtiz’s Doctor X, one of the films playing.
Dishonored may not be the most entertaining film in the von Sternberg-Dietrich cycle, but it is the most thoughtful and stealthily affecting.
The Horrific Inguiry column takes a look at the Universal Monster film Frankenstein (1931) and its legacy within film history.
In celebration of Pride, Kino Lorber has released three early landmarks of queer cinema for streaming via its Kino Marquee initiative.
With just her voice and her eyes, Marlene Dietrich lays bare Lola’s body and heart in The Blue Angel – and we fall under her spell.
Dark Victory is yet another film released during the landmark year of 1939 all but cementing Bette Davis’ reputation as a force of nature.
1939 is often called the Greatest Year in Movies. A list of 25 classics from this memorable year in cinema prove why it surely contends for that title.
The Wizard of Oz and Gone With the Wind have remained on countless “Best of” lists for years and virtually impossible to discuss film history without them.
Newly reissued via Kino Lorber, screwball comedy Nothing Sacred and delicate domestic drama Made for Each Other show two sides of Carole Lombard.
The original A Star is Born remains a triumph, a powerful romance and an engaging look at the Hollywood of the era.
Morocco is an early Pre-Code romantic drama starring Marlene Dietrich and Gary Cooper, two eventual stars that came to epitomize Hollywood.
