1960s
A prime example of what political cinema should be, Eros + Massacre is an intriguing and challenging work from one of Japanese’s singular talents.
“Peeping Tom,” now known as a cult classic, is a thrilling examination of the dangers inherent in making and watching moving pictures.
Eyes Without a Face packs some surprises that hold even in the face of time.
Throw in an informative booklet with an essay by Eric Le Roy and Early Short Films of the French New Wave is truly a must-own.
Film at Lincoln Center and Subway Cinema are showcasing 24 films, a retrospective of Korean Cinema’s Golden Decade: The 1960s.
The Tale of Tsar Saltan marries the magnanimousness of Ptushko’s vision with the acute details of his set designs and costumes.
Time of Roses has a keen eye for design and tells a prescient tale of the lie that hides within “The End of History”.
Intriguing despite its imperfections, Time of Roses is a journey through time and space worth taking.
While this is far from a good horror film, it’s hard not to acknowledge the possible influences both it and Poe have had on horror
As a cinematic time capsule, A Woman Kills is worth (re)discovering… even if its most problematic aspects should be taken with a large grain of salt.
While the visuals and horror may not have stood the test of time, The Birds proves there is still more to be taken away watch after watch.
From the layers of trauma to the shocking twist ending, Carnival of Souls is a classic cinematic experience best shared with others.
For the second Inquiring Minds we tackle the 1965 Jean-Luc Godard sci-fi noir feature, Alphaville.
While not the most groundbreaking or inspiring film, it’s still a masterful piece of early Truffaut filmmaking and storytelling and a revered classic.
With its more intimate scope, flawed or not, the documentary attempts to understand Brian Wilson.
