1977
In the first Animation Sensation, Dallas Marshall reviews Wizards, that while flawed, is worth checking out just for its audaciousness alone.
Donkey in a Brahmin Village is deserving of its cult status in Indian cinema as it dared to expose the hideous aspects of religion and society.
A Grin Without a Cat is a potently poetic diatribe regarding political fervor, social upheaval, and oppression of all kinds.
Larisa Shepitko’s 1977 film The Ascent is virtually flawless, both Blu-Ray and film, on all fronts and comes highly recommended.
Jake Tropila takes a look back at The Spy Who Loved Me, Roger Moore’s third Bond film, in anticipation of the release of No Time To Die.
A spiritual forerunner to modern coming-of-age films like Eighth Grade and Lady Bird, Peppermint Soda is a charming glimpse at two teenage girls growing up.
We take a retrospective look at Ingmar Bergman’s The Serpent’s Egg, which many view as a misfire from the director, but could be seen more favorably through another light.
Ken Wiederhorn’s mostly forgotten 1977 film Shock Waves is an apt metaphor about the fear of a fascist planet.
In Suspiria, Argento’s use of space, lighting, vivid colors, grandiose set pieces, and Goblin’s score create a masterclass in suspense and subliminal terror.
Our next installment of Take Two sees us examine David Lynch’s divisive debut feature about strange dreams and deformed children: Eraserhead.
