2010s
The Professor and the Madman limps out as a woefully half-baked and overcooked spectacle that mistakes reality for relevance.
The Patient Man is a well-constructed thriller which deserves to be seen not only on the strengths of its convictions, but also for what it aims to achieve.
The Personal History of David Copperfield is a truly sincere retelling of Dickens’ story, one that taps into a new contemporary edge and presents itself in a distinctly cinematic fashion.
The story isn’t particularly revelatory, but the idiosyncratic humor and Zoey Deutch make Buffaloed a fun film.
For a movie like And Then We Danced, so steeped in the traditional culture of Georgian dance, to embrace its taboo subject matter is defiance, artistically rendered.
Jojo Rabbit is a movie that delivers on its promise of humor, yet it leaves a thought provoking imagery that speaks to the true prowess of the message behind the satire.
Chilling Adventures of Sabrina didn’t quite deliver on all fronts, deploying more inspiration from Riverdale — a decision that ultimately backfires.
Shinkai’s Weathering With You is more than content to face the onslaught with the naive fantasies of youth. He’s unabashed about giving himself over to them totally.
At the heart of Goalie is a tragic tale worth telling, but unfortunately the film, despite its best intentions, fails to do it justice.
Rather than through narration and a remembrance of mafia life, The Traitor dispels the myths of cosa nostra through testimony and the post-mafia life of Buscetta.
One of the more poetic documentaries, I Wish I Knew is an ode to the impact one city has had, across so many decades, on so many lives.
Invisible Life is an enchanting experience, one that emphasizes the power of hope in times of helplessness and the importance of love above all else.
As aloof and occasionally frustrating as the film may appear to be, Zombi Child is an eerie yet beautiful tale of coming-of-age and vodou.
Beyond its clear feats for being a feature debut, Les Misérables is an urgent urban masterpiece.
Minhal Baig marries an American indie aesthetic with a uniquely immigrant narrative for something fresh, vital and worthwhile.
