2010s
With the talent both behind the camera and in front of it, one would expect more thank a glorified Hallmark film from Last Christmas.
Charlie’s Angels is an uneven movie, but the joy of watching Stewart, Scott, and Balinska relish the lighthearted fun overpowers any shortcomings.
The Leftovers is a very deep series series, one that is introspective and personal. It’s subversive, unrelenting, and keeps you on your toes.
Ed Perkins’ documentary Tell Me Who I Am is an experience that’s both remarkable and powerful.
Frozen 2 is a perfectly fine sequel. It features gorgeous animation, but the story lacks the magic of the first one. Maria Lattila reviews.
“The Gift” of Johnny Cash is how he brings us into his struggles, into his journey, and lets us be a part of it with him.
Watchmen has hit a little under the halfway point, the pins are being set up and knocked down at the bat of an eye, and it just keeps getting more and more clever every week.
Like the novel that came before it, Watchmen elaborates on its characters’ futures vs their pasts in ways only the author can imagine.
Unfortunately, our hero has fallen victim to the sophomore slump; Jack Ryan has made a lackluster return to our screens for season 2.
An unvarnished character study of an unexpected abuser and the havoc her actions cause, Queen of Hearts is one of the most emotionally draining films this year.
In our current political climate, A German Youth teaches a history lesson worth repeating.
An enjoyable experience with memorable moments, Feast of the Seven Fishes is a heartwarming display of what Christmas means to Italian families.
Mickey And The Bear probably doesn’t have the budget to campaign for the attention of “For Your Consideration” recipients but, with any luck, it will be recognised like Winter’s Bone before it.
Though not a fully-realized film, Motherless Brooklyn shows some promise, with an impressive neo-noir style and an admirable takeaway.
We “listen in” on a conversation between huge Cabin In The Woods fans, Clement Tyler Obropta and Karen Pinilla as they look back on Drew Goddard’s 2011 horror.
