2014
Nightcrawler, starring Jake Gyllenhaal, balances the crime thriller, dark comedy, and character study genres with ease. The film focuses on Louis Bloom, a mysterious young insomniac who takes to the nighttime streets of Los Angeles in an attempt to capture the most shocking breaking news. Armed with his video camera and sidekick, Rick, Louis turns real life car crashes and murders into exciting film clips to headline the morning stories.
David Ayer’s Fury is the story of an American tank unit led by “Wardaddy” (Brad Pitt) near the end of the European Theatre in World War II. Ayer is still best known for writing 2001’s Training Day, but after he made the surprisingly acclaimed End of Watch, he has been given the chance to direct a full-blown war film. Ayer’s hyper-masculine style is one that could be to the detriment of a war film that is trying to stay grounded in reality, but he is able to dial back his tendencies enough to keep it from being a glorification of violence.
A trio of rambunctious adolescents storm into a man’s house, steal his car, and then, just for the hell of it, beat his dog to death. Unbeknownst to them, the man they robbed is none other than John Wick, a former assassin who was so good at his job that he earned a nickname of “The Boogeyman.” Let’s just say that they pissed off the wrong guy.
I’ve never really understood the law. That, however, never stopped me from drooping inquisitively over courtroom dramas. With my rediscovery of A Few Good Men on TV a few months ago, this sub-genre managed to spark some affection in my geeky wonderland of a mind.
Dracula Untold tries to be a lot of different things – a PG-13 horror movie, a historical epic, a Gothic romance, a superhero origin story – and it does it all while at the same time trying to kick start an Avengers-style shared movie universe. Whether you call that ambitious or just the obvious product of too many cooks in the kitchen, it doesn’t succeed on every front. But remarkably enough, as a pure popcorn movie, it doesn’t completely fall apart, either.
If the media blitz preceding its release is anything to go by, Gone Girl is being pitched as brooding, twisty, and somewhat orthodox whodunnit. If you buy a ticket expecting just that, you won’t be disappointed. David Fincher’s film, based on Gillian Flynn’s novel of the same name, has all the shifty intricacies you’d hope for in a thriller.
What do Fleetwood Mac, surgical mutilation and a delightfully chubby Haley Joel Osment have in common? Along with a recurring erotic nightmare of mine, Kevin Smith’s new film Tusk. Based on an episode of Smith’s long-running “SModcast,” Tusk tells the story of podcaster Wallace Bryton (Justin Long) who embarks into Manitoba on a quest for new material.
I am a member of a generation that covets nostalgia more than any that has come before it. The Internet allows us to relive our childhood memories whenever we wish. It can be comforting to look back at the cartoons you watched as a kid or be reminded of that candy you loved that has since been discontinued.
The best film of the summer is here, and it is the Guardians of the Galaxy. After months of promos and trailers, the time has come to see Marvel’s newest addition to its universe of superhero films. According to The Wrap, it got started with a nice boost from Thursday night showings with $11.
Dawn Of The Planet Of The Apes is the sequel to Rise Of The Planet Of The Apes (2011), which heralded the latest reboot of the Planet Of The Apes franchise. Dawn presents a story much more intelligent than you’d expect of a blockbuster, its creators having put an overwhelming amount of effort into creating a world that is believable, into creating a wholly new culture for characters that are unique and relatable, furry or not. Rise was good, but Dawn is even better.
There is only one theatre within reasonable driving distance where I can go to see the smaller, limited release films that come out. On their website they list any small film as an “art film”. When I finished watching Snowpiercer this title seemed like a complete misnomer.
As the summer movie season begins to wind down a bit and the little ones return to school, it is a sign that the best films of the year are approaching. You see, studios like to have their best films fresh on the minds of critics when award season rolls around. While 2014 has been a disappointing year in film so far, there is a light at the end of the tunnel and it is fast approaching.
Calvary chronicles a week in the life of Irish Catholic Priest, Father James Lavelle (Brendan Gleeson). When we meet him, Father Lavelle hears a haunting confession: the man was abused by a priest in his youth.
The Quiet Ones director John Pogue took a risk – inviting the viewer to follow along with Professor Joseph Coupland’s (Jared Harris) “experiment” to prove that the supernatural is simply a manifestation created in the minds of the mentally disturbed. What Professor Coupland and his team didn’t expect was a genuine haunting. The Quiet Ones was unexpected, different.
Wow. I didn’t go into How To Train Your Dragon 2 expecting my world to be rocked, but… it sort of did.
