2015
Sleeping With Other People aptly captures humor while offering a generous dose of heartfelt moments.
It confounds and reverberates; The Lobster sings a singularly eccentric tune.
While the Boston movie itself seems to have gone the way of the Western, the appeal of its core themes, and its sensibility seems to remain.
Superior is not without its flaws, and it wears its influences on its sleeve almost to a fault, but it’s still a worthwhile watch.
It might primarily tell a man’s story, but it’s the women—both in front of and behind the camera—that make Ever Since We Love worth watching.
Birdboy: The Forgotten Children is a brilliant animated film with a haunting score, tragic themes, and an angsty coming-of-age plot.
In the final entry of the No Time To Die Countdown, Jake Tropila takes a look back at Spectre, the fourth Bond film starring Daniel Craig.
Criterion welcomes classics new and old to its collection this month with the addition of Beasts of No Nation, Afterlife and more!
For a low-budget production, Agoraphobia is a high-quality film with a solid storyline and good cast.
Queerly Ever After #46 analyzes 2015’s Akron, where two young men find love despite a tragedy that links their families together.
Wilmington on Fire maintains its path of creating a strong and comprehensive account of the political mood of the time and the world that was left.
Neon Bull employs the unique routine of rodeos to approach – and subvert – gender stereotypes.
Good Girls Revolt is a significant and powerfully expressive series about sexual discrimination and harassment.
Jupiter Ascending was a critical and a box office failure. Aaron Berry examines it from the point of view of the directors’ own transition.
The Grief of Others examines how time can only heal wounds if we let it through intentionality and a sense of vulnerability that can be simultaneously scary and painful.
