2017
Brigsby Bear isn’t only for the dreamers, it’s for anyone who ever stalled at pursuing a something dear to them for fear of failing.
Amnesia follows Jo and Martha, who have come to the island of Ibiza for different reasons, and form an unlikely but heartwarming friendship.
Marjorie Prime is a subtly effective and wondrous glance at the potential ramifications of the future of artificial intelligence technology.
From Hollywood to Rose is a perfectly unpolished little gem that draws you in without you even realizing it until the end.
We’re addressing what other people are saying about Okja – in particular, its most common criticisms, and why they’re wrong.
Hampstead offers nothing new in its tired-out genre, serving up uninspired writing and bland direction against a British backdrop.
Birthright: A War Story is a powerful study of the limits on a woman’s reproductive health, ranging from abortion to lesser-discussed issues.
The best thing about Footnotes is that it’s just 78 minutes. But there are so many other, better ways you could spend your time.
Dark Blue Girl is a cautionary tale for parenthood that reminds us that no one has control over who their child will become.
Devoid of any subtlety and bereft of a strong plot, the fact that a film so reductive as Blind was made this recently is quite shocking.
The Sabbatical isn’t your typical midlife crisis film – it is highly unpredictable in the best sense of the word.
Basically, Despicable Me 3 is a lackluster reworking of what worked in the previous films, with more jokes and less heart.
A deeply touching film about sexuality, Between The Shades opens the door to seeing LGBTQ+ people as exactly what they are. Human.
Spider-Man: Homecoming is a refreshingly comedic and lighthearted superhero film, but it doesn’t quite work as part of a larger universe.
Whitney: Can I Be Me focuses more on the context and hidden traumas of Whitney’s life than the music itself, but that’s no bad thing.
