2017
Good Fortune tells the rags to riches story of billionaire John Paul DeJoria, and how he dedicates his time and funds to good causes.
With poorly constructed flaws, Churchill isn’t an overly powerful reinvention of the traditional biopic film.
The feminist undertones, stunning performances,cinematography and costuming more than make up for The Beguiled’s shallow story line.
Amir Bar-Lev’s devotion for the Grateful Dead is a clear, but his skill makes Long Strange Trip a movie that even non-believers can appreciate.
It’s rare that a film will come along and synthesize the era we live in so succinctly as Miguel Arteta’s Beatriz At Dinner.
As given by its name, A Ghost Story is a supernatural tale, yet it touches on themes of love and grief in a uniquely beautiful way.
There’s a way, many ways, actually, to make a satisfying film about a lighthearted romp, but Paris Can Wait never finds any of these paths.
While I Am Jane Doe suffers from some questionable editing and music choices, it is a significant film that deserves global recognition.
The only thing to “Be Afraid” of is the lack of originality in this uninteresting horror effort from director Drew Gabreski.
I Am Heath Ledger is a deeply intimate look at the late actor, but fails to ask important questions about the man behind the mask.
Documentary distributors Dogwoof continue their hot streak with this fascinating inside look at Ronald Reagan’s presidency.
47 Meters Down is a total shark sandwich of a film, that will leave every audience member wishing they were watching Jaws instead.
In the second of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
The excellent performances by Weisz and Claflin sadly don’t make up for the fact My Cousin Rachel is boring to the point of tedium.
Moka is a French slow burning drama that occasionally conjures some suspense, which makes it fascinating in its own way.
