2018
Crystal Swan is about the murky foundation that the American Dream is built on, but the persistence it instills on those who are willing to fight for it.
Impetus is a film for those dedicated to the filmmaking craft, and the unconventional ways it can be molded to create unique means of storytelling.
It’s that time again! The Film Inquiry team counts down their favorite films of 2018, describing in detail their #1 picks.
The Standoff at Sparrow Creek is a shadowy, overly serious affair, and every element of its narrative and craft reflects the film’s white-knuckle grip.
On the Basis of Sex is not likely to plant the seed of determination in the next RBG, as they don’t need pop feminist representations of even the most laudable of figures.
Patrick takes a currently successful formula and twists it into an unbearably cutesy mess, created for shallow monetary gain from an indifferent public.
The conclusion to the animated trilogy, Godzilla: The Planet Eater, is as flawed and unsatisfying as the previous entries – and it might be the dullest of the bunch too.
The Norwegian drama Hurry Slowly is a peaceful, slow paced family drama which remains inviting despite its low narrative stakes.
A film that is extremely competently made, it’s easy to understand why And Breathe Normally was praised so highly at Sundance
With Buffalo Boys, Wiluan succeeds in his mission of taking an important piece of his people’s history and rendering it into an entertaining film with international appeal.
Murder Mountain is a fascinating insight into unique communities, unexplored lands, and disenfranchised voices – and isn’t that the point of a documentary in the first place?
Backtrace is too ridiculous and underwritten to be a full-fledged crime thriller and too self-serious to be an enjoyable B-movie.
It’s undeniably flawed, but considering its mindbogglingly low £2,000 budget, The Bastard Sword is an impressive achievement.
Storm Boy, an adaptation of a beloved 70’s Australian children’s book, succumbs to the powers of its own nostalgia.
The Pinch is occasionally funny, occasionally violent, and occasionally surprising, which makes for a just about passable watch.
