2018
Carga is a gripping short film. Its marvellous build-up is ever so slightly hindered by a speedy conclusion—it’s a film you want to be longer.
Buñuel in the Labyrinth of the Turtles offers a peek into the mind of one of the most influential artists of the surrealist movement.
Dinesh D’Souza, a celebrated far-right political commentator, author and documentary filmmaker, has dizzying propaganda films that bleed misinformation.
The Guernsey Literary and Potato Peel Pie Society is a story about stories, why we share and retell them, and why we adapt them.
Despite its lack of focus and structural issues, there is much to merit in Radium Girls.
The series Cobra Kai falls in the category of doing nostalgia right, combining both elemnts of the films of the 1980s while also remaining fresh.
While it had the potential to have been an interesting film, Say Yes is hampered down by heavy-handed plot contrivances.
MUBI is currently hosting a mini-retrospective highlighting four of her features, including A Woman’s Revenge (2012) and The Portuguese Woman (2018).
It is an unapologetically quirky indie with a big heart and some very valid points to make about the insidiousness of fascism.
House of Hummingbird isn’t the easiest of films to watch, but it is definitely one of the most rewarding.
This Teacher isn’t a commercial film in its treatment of character, theme and aesthetic. But it’s one that deserves a mainstream audience.
Featuring a strong performance by Bill Nighy and not a whole lot else, there isn’t much in Sometimes Always Never to make this film stand out.
Cinema is an incredible and invaluable tool for education, and we need it now more than ever.
The buoyant mood of Kate Nash: Underestimate the Girl makes the documentary a joyous, inspirational ninety minutes.
This hilarious and poignant high school comedy is the perfect anecdote to soothe those quarantine woes and celebrate the arrival of summer.
