2018
Jaddoland’s depiction of immigant life through imagery and meditations will echo throurh ghte hearts and minds of its audience.
With only two episodes left, and with everyone off their games, everything could turn into fireworks by the end of this season of Killing Eve.
The Wolf House uses stop-motion animation to render the world inside the titular house as an ever-evolving nightmare, and is completely immersive despite its freakiness.
We review episode 5 of the third season of Killing Eve.
When compared to the previous three episodes, ‘Still Got It’ is by far the strongest installment of season three of Killing Eve.
The Grand Bizarre represents art at its most autocratic. It’s there in the imperfect stop-motion, in the spontaneous soundtrack, and yes, especially in the sneeze.
The third episode of Killing Eve gives us a little hope that maybe there’s still some part of the show that can have a lot of fun despite its dark and bloody premise.
The season three premiere of Killing Eve last week was quite a letdown. Not only…
Delightful as it is to see these familiar faces get back on our screen, Killing Eve’s third season opener was a bit formulaic and a little edgeless.
The Sonata attempts to be moody, brooding, and dark, only to come off as predictable, cliched, and silly.
Coupled with skill in front and behind the camera, It is not gore or a body count but pure tension that pulsates through Dead Sound, pushing it forward.
A powerful and thoughtful short film, Brotherhood tackles complex themes of family and conflict with a muted elegance.
Writer, director, and star Haston McLaren focuses his film, A Life in August, on the quiet downfall of a relationship that has nowhere to go.
What She Said: The Art of Pauline Kael is a pleasant reminder of Kael’s greatness and a nostalgic look back at an era that changed American cinema forever.
An Elephant Sitting Still exudes so much elegance, frame precision and ingenuity that it is destined to have a place in cinema.
