adventure
Through its bleak beautiful cinematography and its off-kilter score, The Settlers is a riveting piece of work that will be among the year’s best films.
The Creator’s many impressive technical qualities are entirely mishandled, their import put above what a movie really needs: a good story.
Both P.P. Rider and Typhoon Club showcase many aspects of Somai’s signature style, Lee Jutton takes a look at both.
Strays is a mess of limited ideas, mined from the inebriated story idea, “What if a typical dog movie had more profanity and poop?”.
Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
If you liked Jaws 2 (or Sharknado 2, Deep Blue Sea 2, Open Water 2, Ouija Shark 2, etc. etc), this bad Shark Sequel has everything you need.
Mutant Mayhem gives the Ninja Turtles a fresh coat of paint as a welcoming revision with unique animation and compelling characters.
A quiet, poignant, and moving documentary, The Deepest Breath is unforgettable.
The Descent: Part 2 falls within the overflowing pot of sequels made for the sake of making a sequel.
The Descent is a film you literally feel, in a league all of its own.
Dead Reckoning Part One is a vigorous dose of action filmmaking at its finest.
Morbius was a double failure at the box office because its lead is boring, its plot is derivative, and its marketing tried its damnedest to trick audiences.
The Tale of Tsar Saltan marries the magnanimousness of Ptushko’s vision with the acute details of his set designs and costumes.
Dial of Destiny is not perfect, with noticeable flaws, but it is also very entertaining, exciting, and well-acted.
Ruby Gillman, Teenage Kraken doesn’t make a huge splash, but it does tread well enough to be an enduring animated film for those still in the kiddie pool.
