Afghanistan

WHAT WE LEFT UNFINISHED: Live Ammunition
WHAT WE LEFT UNFINISHED: Live Ammunition

While it might sound dense and only appealing to a niche demographic, Ghani’s immersive record is a curiosity that will satisfy any inquiring cinematic mind.

AFGHAN CYCLES: A Powerful Ride To Freedom
AFGHAN CYCLES: A Powerful Ride To Freedom

Afghan Cycles is a true and authentic journey, filled with moments of pure happiness and heartbreaking sadness.

12 STRONG: True Story Of Green Berets On Horseback Lacks Horsepower
12 STRONG: True Story Of Green Berets On Horseback Lacks Horsepower

12 Strong feels on a par with the cringeworthy, overly patriotic action films made during the significant wars of America’s past, with nothing to say about the nature of war itself.

PRINCE OF NOTHINGWOOD: The Man, The Myth, The Madness
PRINCE OF NOTHINGWOOD: The Man, The Myth, The Madness

Prince of Nothingwood documents Salim Shaheen, a passionate Afghan director who makes dozens of low-budget films in his troubled home country, becoming idolized by many as a result.

THE BREADWINNER: Beautiful, Inspiring, Important
THE BREADWINNER: Beautiful, Inspiring, Important

The Breadwinner’s captivating aesthetic, heroic protagonist, moments of levity and weighty themes aid in drawing in youngsters and teaching them about the hardships faced by their peers on the other side of the world.

SAVING MES AYNAK: Making Archaeology Harrowing
SAVING MES AYNAK: Making Archaeology Harrowing

Saving Mes Aynak’s central figure, Qadir Temori, is an Afghan archaeologist more Don Quixote than Indiana Jones, fighting forces from all sides threatening to wrench from his country what is deemed the most significant find of the century.