animation
Mad God bursts and spews onto the scene in absolutely take-no-prisoners fashion and has steadily placed itself close to the top of the pile as one of the best movies of 2022.
The Bad Guys is a good time for its slick style, solid characters, and stealing from the best heist films.
Urotsukidoji: Legend of the Overfiend begins with all of its cards on the table, from the first scene it shocks and only increases from there.
The Bob’s Burgers Movie plays well for both fans who want more of the show’s antics and new viewers who are looking to get acquainted with the characters.
I Am Here is not a perfect film, but it accomplishes what it sets out to do, which is to allow the world to honor Ella Blumenthal and share her story.
I dare anyone to watch the ending of The Iron Giant and test to see if their eyes stay dry. I know I wasn’t able to.
This animated short addresses the ridiculous entitlement of people who believe that Native culture is a fad for them to consume.
Even watering down some rather interesting character dynamics, Sing 2 adds more of everything, the good and the bad.
On this Animation Sensation we discuss the 1998 animated film The Prince of Egypt.
The new animated Diary of a Wimpy Kid tells a familiar story and executes it on an arguably bare minimum.
Birdboy: The Forgotten Children is a brilliant animated film with a haunting score, tragic themes, and an angsty coming-of-age plot.
In the first Animation Sensation, Dallas Marshall reviews Wizards, that while flawed, is worth checking out just for its audaciousness alone.
Jonas Poher Rasmussen’s Flee uses animation as a form of therapy for both its central subject and the audience.
Ari Folman’s latest Where Is Anne Frank is a kaleidoscope of beautiful visuals and good intentions, even if some of them don’t exactly land.
It’s films like Angel’s Egg that make the critic feel like a charlatan, aimlessly looking for patterns in the entrails.
