apocalypse
It’s hard to imagine Noah Baumbach making a film about an apocalypse, yet this enigma-raveled concept perfectly encapsulates White Noise.
Film Inquiry’s Luke Parker recently spoke with director Ric Roman Waugh about his latest project with Gerard Butler, Greenland.
Zombieland: Double Tap is a funny, but unnecessary sequel to the 2009 zom-com from Ruben Fleischer. Maria Lattila reviews.
Endzeit (Ever After) is a breath of fresh air to see that there can still be originality in a tired troupe, a refreshing take on the apocalypse.
There’s smart comedy, earnest romance, poignant drama, and visuals to dazzle even the most superhero-addled of viewers. Let’s talk about Good Omens.
Starfish’s reach might ultimately exceed its grasp, yet the film still succeeds as an immersive, stunningly crafted apocalyptic sci-fi.
An overlooked film at the time of its release, Miracle Mile looks at the Cold War when it was waning, examining the destruction man is capable of when he thinks the end is near.
I Think We’re Alone Now is a beautiful slow burn drama with a beautifully eerie atmosphere and striking performances from Dinklage and Fanning, ruined by an unruly mess of a third act.
The House With A Clock In Its Walls has a sense of mischievous fun, with a hearty serving of chills and chuckles to overwhelm any shortcomings.
Even with a good hook, How It Ends suffers from lack of vision becoming just a series of scenes that rarely congeals into anything substantial.
With Blade Runner 2049 opening in cinemas this Friday, we ruminate on the themes of existentialism the trailer and short film have promised.
Here Alone is a survival story in a zombie apocalypse, but its story struggles to survive against the great zombie films that precede it.
Bokeh is a stripped down take on a dystopian apocalypse- and like the best sci-fi, offers a bleak commentary on modern society.
Independence Day came out when I was 14. I was a huge X-Files fan (I did a school project on Area 51) and so thought it was pretty much the greatest film ever. It was also at this time that I began to fall in love with movies, and Independence Day was part of that trend of 90’s summer blockbusters that opened my eyes to what contemporary cinema meant to a lot of people.
Christopher Nolan has made a solid place for himself in the rank of modern filmmakers. His latest film, Interstellar, further establishes his stance. It is a wondrously beautiful movie, with intense sci-fi sequences, a solid and talented cast, and even some thought-provoking ideas.
