art
Kiss The Future is a glimmer of what the world can be when we are one – united by the communal goodness and beauty of art.
While Minted presents intrigue in both the product and the artists behind them, it struggles to become a cohesive unity of art and information.
Kristy Strouse samples some of the Immersive and Gaming opportunities at this year’s Tribeca Film Fesrtival.
In this report, I talk about three documentaries. While they differ in subject matter, they each resemble some stage of a quest for a dream.
Despite the prestige of those involved in the project, Hilma is far too ordinary a film to do justice to such an extraordinary subject.
A creative exploration of the legacy of Moholy-Nagy, an artist who never became a household name and yet whose life’s work is nonetheless ever-present.
Scorsese’s homage to Federico Fellini is a tribute to an influence who crawled so that Scorsese could walk and a plea to let others run in their wake.
James Benning’s latest work examines the ghostly spaces of human inhabitation through its austere and formalist rigour.
Jaddoland’s depiction of immigant life through imagery and meditations will echo throurh ghte hearts and minds of its audience.
The Grand Bizarre represents art at its most autocratic. It’s there in the imperfect stop-motion, in the spontaneous soundtrack, and yes, especially in the sneeze.
The concept of a documentary feature exploring Michael Leuni, such an eminent figure of Australian culture, was promising, but eventually disappoints.
Marcel Duchamp: Art of the Possible provides a pleasant and appealing overview of Duchamp’s life and career without truly challenging the viewer.
Halina Dyrschka’s new documentary reveals the life and work of Hilma Af Klint, but fails to overcome its by-the-numbers approach.
The Times of Bill Cunningham would serve better as an extras-feature on a Blu-Ray than as the stand-alone documentary it is.
Filled with melancholy, delicacy, and captivation, The Disappearance of My Mother is a well-crafted tale of vulnerability.
