Australia
Ammonite is a cold, distant viewing that rewards the viewer in sporadic intervals, confident that it will find the right audience.
Alex Lines spoke with the festival programmer of the JFF 2020 online festival, Susan Bui.
Ultimately, it is better to take the glorification of a powerful figure with a grain of salt, rather than a spoonful of sugar.
Thanks to our friends at Roadshow Films, Film Inquiry is happy to announce that we’ve got 5 in-season double passes to give away for Rams!
Alex Lines had the chance to talk with Rams director Jeremy Sims about adapting the Icelandic drama.
Slim & I, one of the rare Australian features to sneak back into cinemas post-quarantine, delivers the history of Dusty Slim with a little cunning twist.
Alex Lines reports from MIFF 2020 with three films: Last and First Men, Anne at 13,000 FT, and Dark City Beneath the Beat.
Overall, Blood Vessel isn’t going to change horror forever, but it is entertaining, especially the first hour.
Black Water: Abyss starts strong in its horror, but too quickly, the film devolves into a story of drama with a background of splashing water.
Stateless sadly ends up robbing itself of an opportunity to be a show that is truly remarkable and also important.
We attend a roundtable with director Natalie Erika James, cast members Robyn Nevin, Emily Mortimer, and Bella Heathcote to dive deeper into Relic.
We spoke with Joshua Lee, director of the Australian documentary, The Fathering Project.
The Fathering Project turns passion into poetry in the pursuit of finding what it means to be a father in today’s society.
Alex Lines spoke for director Natalie Erika James about her directorial debut Relic, the process of co-writing the script and influences.
Relic, through a deliciously brilliant depiction, personifies and tackles the social and familial issues surrounding dementia.