authenticity
In a time when facts, figures and certainties are thin on the ground, when reality itself appears to be fragmented into many non-congruent shards, it is perhaps not so surprising that some sense of perspective can be gained in the comforting darkness of the cinema theatre. Discombobulated by events both political and personal, I sought refuge from Manchester’s silvery anti-summer at a screening of Paul Fegan’s Where You’re Meant To Be, chronicling musician Aidan Moffat’s journey around Scotland in his quest to re-interpret some of the country’s folk standards in a more contemporary light. Throughout the film and the subsequent Q & A with Fegan and Moffat at Manchester’s Home, the theme of authenticity surfaced from the loch of uncertainty that clouds our ability to make sense of these times.
Up-and-coming filmmaker John Carchietta has co-directed and produced several thrillers like Late Fee and The Hills Run Red. He is one of those true horror fans who really knows his stuff. But recently Carchietta proved that he can tackle multiple genres with the debut of his first solo project, a queer romantic thriller called Teenage Cocktail.
“Based on a true story.” “Based on true events.” “Inspired by actual events.
