Bruce Willis
Die Hard is not a film that just occurs during the holiday season, but rather because of it.
The Sixth Sense is a masterclass in storytelling and suspense; it’s an exemplary work from M. Knight Shyamalan and the best film of his career.
In 2524, retired Gen. James Ford gets called back into service after a hostile alien fleet attacks soldiers on a remote planet.
Though not a fully-realized film, Motherless Brooklyn shows some promise, with an impressive neo-noir style and an admirable takeaway.
Glass may have been a film nineteen years in the making, but it feels superfluous and incredibly out of touch in a world littered with superhero films.
Glass blends M. Night Shyamalan’s Split & Unbreakable, pitting Unbreakable’s security guard (Bruce Willis) against Split’s creature (James McAvoy).
Twelve Monkeys is Terry Gilliam’s dystopian vision of time travel, in which everything that happens is inevitable, probing into questions of the meaning and purpose of life.
Death Wish is a victim of poor timing due to current public sentiment in regards to guns and violence, but its generic revenge story and wasted cast don’t much help matters either.
Once Upon A Time In Venice is clearly a film made by cinephiles, but the scattered subplots and underdeveloped characters combine for an overall misfire.
The Fifth Element 20 years later: it’s still the packed with resplendent imagery, inventive art direction, and some well edited set pieces.
