childhood
Michael Frank spoke with writer and director Adam Egypt Mortimer about the mental health, childhood and inspiration for his film Daniel Isn’t Real.
Find whatever long-forgotten, critically-panned even, piece of your childhood that made you who you are today. Find that movie.Find your Happy Feet.
Tarkovsky’s Ivan’s Childhood, perhaps more than any other film, shows the complexities of dreams, here shown through the eyes of a childhood experiencing the trauma of war.
The Florida Project offers a unique and essential glimpse into contemporary poverty in America, encompassing both its wonders and hardships.
You’ll find it hard to obey the rules of this film’s title when watching, as even the positive elements can’t stop Don’t Sleep being a slog.
Brigsby Bear isn’t only for the dreamers, it’s for anyone who ever stalled at pursuing a something dear to them for fear of failing.
As a production company, Disney and their famous princesses have changed significantly as a response to changing social norms.
Closet Monster is a movie that fluently balances drama and humor, but the very essence within its message is one of defiant and radical hope.
Whether it’s aimed at big kids or little kids, one of the most common themes in films from the last few decades has been the concept of ‘coming-of-age’. What this actually means can vary. For instance, ‘coming-of-age’ films may be ‘teen dramas’ or stories about childhood, sexuality, gender, or (auto-) biography.
A central attribute to a film’s success or failure is the performances of its stars as certain characters. Now, while it is usually the adult actors or the adult actresses who are the stand-out stars in a feature film, there are also roles where it is the child that puts a new perspective on the approach to and execution of acting. Like adults, the child stars can adapt from supporting roles to leading.
A young Montana boy named T.S. Spivet leaves his rustic home and heads to Washington D.
Low budget productions always have to come to terms to the fact they are not going to be able to offer proper cinematic spectacle on a minuscule budget. A Dozen Summers instead opts to be as deliberately amateurish as possible, giving it the distinctive feeling of a movie that the twelve year old protagonists would not only wish to make, but would be capable of making. It feels aimless, rambling at even a brief 82 minutes (eight of which are dedicated to elongated end credits), but proves near impossible to dislike despite all of its clear faults.
Remember Mrs. Doubtfire? It’s not a spectacular movie, but I remember it fondly, having enjoyed it when I was little.
