color
We examine how films have changed their use from black and white to color, as well as how it has continued to be used today.
The importance and brilliance of colour in film cannot be stressed enough. Colour has the amazing ability to grab the audience’s attention, foreshadow information and control or influence emotion consciously and/or subliminally.
Class consciousnes and its oft-contingent condemnation of wealth was a theme at the 2016 Cannes Film Festival that one would be hard-pressed to overlook. The most obvious reason for this is the fact that Ken Loach’s poignant portrait of one man’s struggle to navigate Britain’s welfare system, I, Daniel Blake, took home the Palme d’Or. But this topic was also prominent in part because films about wealth, or lack thereof, pervaded the entire festival, spanning its various sections.
One of the most controversial directors currently working today, Nicolas Winding Refn is a provocative force to be reckoned with. He has an utterly distinctive voice that couldn’t ever be mistaken for anybody else. Each of his films is widely divisive, almost always opening to heated opinion from audiences.
The link between film and art is well-documented, especially how filmmakers are influenced and inspired by their favourite artists and paintings. One of the best and most famous examples is Stanley Kubrick’s Barry Lyndon, where many scenes imitate classical paintings from the 1700s. There are plenty of contemporary examples too.
Breaking the boarders with transnational themes and making people cry and laugh in the same way? Genre as a global system? Why not!
