comedy
Slayers is an entertaining enough horror comedy with some standout performances, but the film’s satire and themes lose some of its charm.
On some level, it feels like a cinematic equivalent of the anti-establishment political cartoons that were once so pervasive in cultural discourse.
This dispatch features two great films involving passionate love affairs — but, apart from that, they could not be more radically different.
From NYFF, Lee Jutton reviews A Couple and Showing Up, the latest films from Frederick Wiseman and Kelly Reichardt.
Sick of Myself is a deranged and delightfully cynical work of art that proves attention-seeking for the sake of fame always comes at a much higher cost.
Newly restored, Life is Cheap… But Toilet Paper is Expensive can be overwhelming, and even unpleasant – but it’s incredibly unique.
A giddy glimpse at medieval girlhood that isn’t without substantial emotional weight, it is a fun film that the entire family can enjoy.
Throughout Better Call Saul, Jimmy and Kim’s romance has explored the passion and love found in Classic screwball comedies.
With her last TIFF report, Kristy Strouse covers two Midnight Madness flicks!
In her second report from TIFF Kristy Strouse reviews Susie Searches, The Blue Caftan and Subtraction!
Major studio productions often use TIFF as a launching pad for large theatrical releases, and this year is no exception with The Menu and Bros.
Do Revenge was a pleasant surprise, entertaining from start to finish.
Clerks III may not have the best laughs of the trilogy but certainly has the most heart amid its sentimental nostalgia.
In the first report from the 2022 Toronto Film Festival, Soham Gadre reviewed Triangle of Sadness, Pacification and De Humani Corporis Fabrica!
In our first report from the Melbourne Film Festival, Sean Fallon reviews Saloum, Dual, Shadow, The Integrity of Joseph Chambers and The Pez Outlaw!
