comedy
I dare anyone to watch the ending of The Iron Giant and test to see if their eyes stay dry. I know I wasn’t able to.
If you can go along with all its winking and ribbing of rock culture, there’s enough self-deprecating, decapitating humor for a bloody fun meta-horror.
This animated short addresses the ridiculous entitlement of people who believe that Native culture is a fad for them to consume.
Even watering down some rather interesting character dynamics, Sing 2 adds more of everything, the good and the bad.
Do you want a pick me up without a lot of stakes? Go for Murderville.
In her second report from Sundance Film Festival Kristy Strouse reviews Cha Cha Real Smooth & Am I OK?
In our latest report from Sundance Film Festival 2022, Wilson Kwong reviews Fresh and Worst Person in the World – both films demanding attention.
While not essential viewing, the film is a successful directorial debut by Jesse Eisenberg.
Even more so than its celebratory aspects, Harold and Maude holds a special place in my heart because of what it meant to me when I first watched it.
Combined with Vaughn’s ability, there’s a genuine surprise to this entry that may make this the best of the series.
Adam McKay has crafted a harsh examination of our treatment and lack of action of the environment we live in, one that is sure to push the conversation.
The Hating Game may not be the perfect rom-com, but it entertains like classics of the past, delivering on what it promises and perfect for rewatches.
While Dumont’s France seems more interested in piling dramatic events on top of dramatic events, Seydoux is never less than masterful.
The new animated Diary of a Wimpy Kid tells a familiar story and executes it on an arguably bare minimum.
In the vein of Citizen Kane, the documentary sets out on the foolhardy task of finding Dean Martin’s Rosebud: the puzzle piece to unlock what made him tick.
