comedy
Physical never loses sight of what it does best: exploring Sheila’s inner journey in a way that is both entertaining and compelling.
Kristy Strouse gives us her first Tribeca Film Festival report with three films: No Man of God, Shapeless and Mark, Mary & Some Other People.
Ryan Reynolds, Samuel L. Jackson, and Salma Hayek return in the crime-comedy, The Hitman’s Wife’s Bodyguard.
Astonishingly, Feel Good Season 2 gets darker and more uncomfortable without abandoning its humorous reprieves.
A winning teen comedy with star-making performances from its two leads, Plan B has plenty of fun and heart to offer.
Grímur Hákonarson’s The County follows an Icelandic widowed farmer as she fights beauracratic corruption and injustice.
Cruella is a welcome return to the good, dark, bold filmmaking that we haven’t seen in a long time from Disney.
Paul Negoescu’s Two Lottery has a funny enough premise with a cast that knows how to play to one another’s strengths.
Despite its immense charm in its animation, music and characters, there are vital story elements in Arlo the Alligator Boy that are lacking.
John Calucci and Brandon LaGanke’s 2020 comedy Drunk Bus is unconventional, funny, and poignant from start to finish.
The Man in the Hat is a whimsical and playful film told through the mostly dialogue-free journey of a man played wonderfully by Ciarán Hinds.
RK/RKAY is a highly innovative and well-crafted film that demonstrates Rajat Kapoor’s creativity, intellect, and mastery.
The Paper Tigers is an enjoyable action comedy exploring the different ways people change over time and the importance of protecting your family, be it blood or bond.
Owen Butler takes a look at the new Criterion Collection release of Amy Heckerling’s 1982 classic Fast Times at Ridgemont High.
Karl Holt’s Benny Loves You is a madcap feature debut that toys with a man-child’s inability to let go of childhood.
